PART 1 — THE EUROVISION SONG CONTEST
1. EBU Coproduction
1.1 International coproduction
The Eurovision Song Contest (the "ESC") is an international coproduction by broadcasting organisations having the status of Members of the EBU, as defined under the EBU Statutes (the "Members") which is carried out under the auspices of the European Broadcasting Union (the "EBU") as part of the television programme exchange known as Eurovision.
1.2 Number of Participating Broadcasters
A maximum of 44 Members shall be allowed to participate (the "Participating Broadcasters"). Members from a maximum total of 26 countries shall compete in the Final. There shall be six guaranteed places therein (i.e. one for the producing organization (the "Host Broadcaster"), five Members from France, Germany, Spain, Italy and the United Kingdom). Subject to a decision by the EBU in consultation with the Reference Group, the number of guaranteed places in the Final may be modified depending on circumstances. Apart from the six broadcasters with guaranteed places, all Participating Broadcasters from a maximum of 40 countries shall compete in one of the Semi-Finals for the remaining places in the Final.
2.1 Live prime time entertainment shows
The ESC is composed of three live Shows, two Semi-Finals usually taking place annually, generally in May, on Tuesdays and on Thursdays and one Grand Final taking place on Saturdays (in the country of the Member which has won the preceding edition (the "Host Broadcaster"). The Shows are produced and transmitted live by the Host Broadcaster and are made available over the Eurovision network for live broadcast by the Participating Broadcasters.
Each Show is a state-of-the-art, prime-time entertainment programme, world-class television production. It consists chiefly of successive live televised performances of songs by artists (the "Acts") entered by the Participating Broadcasters to represent their countries (the "Contestants") one after the other between which short sequences are interspersed (the "Postcards").
Each song which competes in the ESC shall be selected through a national selection to be organized by each Participating Broadcaster. The national selection is organized under the sole responsibility of the Participating Broadcaster in question.
The Acts are performed during the Shows in front of a live audience and the Shows are presented on stage, in both English and French, by the international presenters.
The outcome of the ESC is decided by the votes casted by the National Audiences and by National Juries appointed in the countries of the Participating Broadcasters.
During the televoting window and the time necessary to calculate the results, there shall be so-called "interval acts" produced by the Host Broadcaster (the "Interval Acts").
Contestants having sung in the Shows shall after their performances join in the so-called "Green Room" to assist to the announcement of the results.
National commentary by commentators appointed by each of the Participating Broadcasters is added to the international version of the Shows for broadcast in their respective countries.
2.2 Presentation of the acts
The allocation of the countries to the two Semi-Finals and the position of appearance of the Host Broadcaster in the Final shall be decided by means of draws organized by the Host Broadcaster. The stage performance shall be identical in all second Dress Rehearsals and during the live Shows.
Contestants and Artists shall perform the songs live on stage, accompanied by a recorded backing-track only (without live instruments). The Backing track shall contain no vocals of any kind or any vocal imitations aiming at replacing or assisting the live/original voice of the Contestant(s) […].The Host Broadcaster and the ESC Executive Supervisor shall verify respect for this rule.
The compositions (lyrics and music) must not have been commercially released before 1 September 2018 (the Release Date). In case the composition has been made available to the public, for example, but not limited to, on online video platforms, social networks or (semi-) publicly accessible databanks and/or performed publicy, for example but not limited to during concerts, the Participating Broadcaster must inform the ESC Executive Supervisor, who shall have authority to evaluate whether the composition is eligible for participation in the Event. In particular, the ESC Executive Supervisor shall assess whether such disclosure prior to the Release Date is likely to give to the composition an advantage in the Event vis-à-vis the other compositions. The ESC Executive Supervisor shall authorise or deny participation of a composition which may have been available to the public as described above, subject to the prior approval of the Reference Group.
The maximum duration of each song is three minutes. Any song/performance which is longer may be disqualified by the EBU Permanent Services after consultation with the Reference Group.
Each Participating Broadcaster is free to decide the language in which its Contestant(s) will sing.
Maximum number of artists
Each performance may consist of a maximum of six people on stage. No live animals shall be allowed on stage.
All Contestants and artists competing in a Semi-Final must be aged at least 16 on the day of the Final. All Contestants and artists competing only in the Final must be aged at least 16 on the day of the Final.
No Contestant and/or artist may compete for more than one country in the ESC in a given year.
The voting is compulsory in all the countries of the Participating Broadcasters. Each Participating Broadcaster shall cooperate with the pan-European voting Partner appointed by the EBU for the televoting and the national jury voting so as to ensure a central control and verification of the results.
2.3.1 Centralised televoting - Votes of national audiences
All Participating Broadcasters presenting a song in a Semi-Final are obliged to implement the televoting system for that Semi-Final.
The six Participating Broadcasters with guaranteed places in the Final shall also implement the televoting system for the Semi-Final which they are required to broadcast.
All Participating Broadcasters are obliged to implement the televoting system for the Final.
All Participating Broadcasters are obliged to follow the following rules in relation to televoting
The voting window for televoting opens after the last Contestant's performance and closes 15-30 minutes later depending on the running order of the Shows. There shall be a fixed voting window […], with the lines opening and closing at exactly the same time in all countries where the televoting takes place.
Viewers in the countries of the Participating Broadcasters are invited to vote for their favourite songs by means of televoting (votes of the National Audiences by telephone and SMS, including the ESC App).
No voting for its own country
Voters must be excluded from voting for the entry of their own country of residence, and this must be made known to them.
2.3.2 Votes of national juries
In addition, in each participating country, there shall be a National Jury to be appointed by that country's Participating Broadcaster to vote in the Semi-Finals and in the Final. National Juries shall vote in all countries and in all cases.
All Participating Broadcasters having a Contestant in a Semi-Final shall ensure that a National Jury votes in that Semi-Final.
The six Participating Broadcasters with guaranteed places in the Final shall also appoint a National Jury to vote in the Semi-Final which they are required to broadcast.
All Participating Broadcasters shall appoint a National Jury to vote in the Final (even if their song is not selected for the Final).
The same Juy Members shall vote in the Semi-Final and in the Final.
Implementation of the compulsory televoting shall not exempt any Participating Broadcaster from appointing a National Jury.
Each National Jury shall meet in its own country on the day of the second Dress Rehearsal of the Semi-Final in which it is responsible for voting and on the day of second Dress Rehearsal of the Final. The National Juries shall watch the live transmission of the second Dress Rehearsals and shall vote in accordance with the EBU's instructions included in the Official Voting Instructions. The National Juries shall not be allowed to vote for the song of their own country.
Each National Jury shall be composed of five members, including a chairperson (the "Jury Members"). In addition, each Participating Broadcaster shall appoint a back-up member in case a Jury Member cannot fulfil his duty.
Jury Members must not be employees of Participating Broadcasters.
Jury Members shall not have been part of a National Jury the preceding two years.
Jury Members must pursue one of the following professions within the music industry: radio DJ, artist, composer, author of lyrics or music producer.
There shall be a balance among Jury Members of each National Jury to ensure sufficient representativeness in terms of gender, age and background.
All Jury Members shall be citizens of the country they represent.
When voting Jury Members shall use all their professional skill and experience without favouring any Contestant on the account of their nationality, gender or likeliness.
In each country, the song which has received the highest number of votes from the National Audience shall be ranked first, the song which has received the second highest number of votes shall be ranked second and so on until the last song.
The jury members shall rank first their favourite song, second, their second favourite song, third, their third favourite song, and so on until their least favourite song which shall be ranked last. Abstentions are not allowed, except that the song representing the country of the Participating Broadcaster which has appointed the National Jury shall be excluded from the vote. It is not allowed to award the same rank to two different songs.
In both Semi-Finals and in the Final, it being for the National Audiences or for the National Juries, the results in each country shall be determined as follows:
12 points shall be allocated to the song having obtained the best rank,
10 points to the song having obtained the second-best rank,
8 points to the song having obtained the third-best rank,
7 points to the next,
and so on, down to 1 point for the song having obtained the tenth-best rank.
The respective winners of the Semi-Finals and of the Final shall be the song(s) which, according to all information made available to the EBU Permanent Services by the pan-European voting partner, has/have obtained the highest combined number of points once the results of the National Audiences and of the National Juries have been added at the time of announcement of the results.
2.4 Presentation and announcement of the results
The results shall be announced once all songs have been performed, shortly after the televoting window is closed.
In the Semi-Finals, the international presenters shall announce the names of the countries which have qualified from the Semi-Finals for the Final.
The results of the National Juries in each country are announced in turn by the spokesperson of each Participating Broadcaster clearly and distinctly in English or in French, stating the name of the country concerned and the points allocated by its National Jury. The televoting results of the National Audiences are announced by the International Presenters. The televoting results of the National Audiences for each song across all participating countries are added progressively to the scoreboard as long as the results are announced. The televoting points from the National Audiences from all participating countries are combined with the points of the National Juries, providing one combined score for each song. At the end of the process, the International Presenters shall announce the winner(s). The Contestants, song writer(s) and Participating Broadcaster of the winning song(s) in the Final shall receive the ESC Trophy, and the transmission of the Final shall end with a further performance of the winning song(s).
2.5 ESC title and branding
The main title of the Shows is the "Eurovision Song Contest", followed by the year during which it takes place. It shall be used by all broadcasters, although they may instead use a translation into their national language, subject to the approval of the EBU Permanent Services. If the translation is approved, the main title need not be used. Broadcasters are also permitted to include a minor title under the main title, using the name by which the ESC has been known in recent years in their respective countries.
The official Logo of the ESC shall be used by the Participating Broadcasters together with the official Event Artwork designed by the Host Broadcaster.
2.6 Non-political event
The ESC is a non-political event. All Participating Broadcasters, including the Host Broadcaster, shall ensure that all necessary steps are undertaken within in their respective Delegations and teams in order to make sure that the ESC shall in no case be politicized and/or instrumentalized. All Participating Broadcasters, including the Host Broadcaster, shall ensure that no organization, institution, political cause or other cause, company, brand, product or service shall be promoted, featured or mentioned directly or indirectly during the Event. No messages promoting any organization, institution, political cause or other, company, brand, products or services shall be allowed in the Shows and within any official ESC premises and/or event (i.e. at the venue, during the Opening Ceremony, the Eurovision village, the Press Centre, the Press Conferences, etc.). A breach of this rule may result in disqualification. The lyrics and/or performance of the songs shall not bring the Shows, the ESC as such or the EBU into disrepute. No lyrics, speeches, gestures of a political, commercial or similar nature shall be permitted during the ESC. No swearing or other unacceptable language shall be allowed in the lyrics or in the performances of the songs.
3.1 Combination of results
The points of the National Audiences and of the National Juries shall be combined according to a ratio which is determined by the EBU, subject to the Reference Group approval. For example, if the ratio is 50-50, the points of the National Jury carry the same weight as the points of the National Audiences.
3.2 Tie situations
The procedures described below shall apply in case of ties
Tie for the last position in the Semi-FInal and tie after combination of televotes and national audiences
Should there be a tie for the last position in a Semi-Final (because two songs have received the same number of points) or for the first place in the Final, as well as any other situation where a tie occurs after the points from the result of the televotes (National Audiences) and the National Juries have been combined to determine the final ranking, the winner shall be the song which has obtained the highest rank from all the National Audiences. The song that received the most points from all the National Audiences is ranked the highest.
Tie due to same number of points from all national audiences
Should there be a tie, because two songs have received the same number of points from all the National Audiences, the winner shall be the song which has obtained points from the highest number of National Audiences. If the tying songs have received points from the same number of National Audiences, the highest number of 12-point scores shall be decisive. If the winner still cannot be determined by this procedure, the number of times ten points have been awarded shall be the deciding factor. If necessary, this method shall continue until account has been taken of the number of times one point has been awarded. In the very unlikely case that after applying the above procedure there is still a tie, the tie shall be resolved by giving precedence to the country which was earlier in the running order for the Show concerned. Respectively the same procedure shall be used to resolve any tie in the points from all the National Juries of the participating countries.
Tie due to same number of points from the national audience of a given country
Should two or more songs receive exactly the same number of votes from the National Audience in a given country, the results of the National Jury shall be used to determine their respective ranks (i.e. the song having obtained the best rank from the National Jury shall be ranked highest).
Tie due to same rank from a national jury
Should two or more songs receive exactly the same rank from a National Jury, the order shall be ascertained by a show of hands by the members of the National Jury.
PART 2 — LEGAL AND FINANCIAL PROVISIONS
2.4.3 EBU's rights and obligations
The EBU is in exclusive control of all centralized marketing and exploitation of the ESC.
Without prejudice to the other rules in this Section, all broadcasting and other rights to the Shows and the ESC are exclusively owned by the EBU, to be managed centrally by the EBU on behalf of the Participating Broadcasters.
The EBU Permanent Services shall, in cooperation with an agent if needed, be responsible for coordinating all sales of the Shows (including any ESC content produced by the EBU), in whole or in part, to non-participating broadcasters from countries where rights remain available and to third parties, for the financial benefit of Participating Broadcasters and the Host Broadcaster.
Unless any rule in this Section applies, non-participating broadcasters are not allowed to broadcast any material from the Shows (rehearsals/preparations, etc.) without the prior written permission of, and without possible payment of a rights fee to, the EBU.
Radio - Radio organizations (other than Members) from countries where rights remain available, may acquire the right to broadcast the Shows on their territory against possible payment of a rights fee. Radio broadcasters shall not be entitled to sell any sponsorship package in relation to the ESC and/or in relation to their transmission of the Shows. If so required by the EBU, they shall cooperate with the EBU with respect to any centralized sponsorship guidelines or requirements […].
Television - Television broadcasters from countries where rights remain available may acquire the right to broadcast the Shows on their territory against possible payment of a rights fee. In countries where rights remain available, non-participating EBU Members shall have a first option, to be exercised within a deadline set by the EBU, to purchase the Shows for their territory. Depending on the facilities available, non-participating broadcasters from countries where rights remain available may also request the right to send a commentator, and/or a production team, to the ESC.
The EBU shall be entitled to grant licences with respect to any extracts from the Shows, and/or from the Dress Rehearsals and/or from the ESC Content produced by the EBU to third parties for inclusion in any audiovisual works or media products or services. The EBU is also entitled to sell any footage from the Shows to any third party within a Participating Broadcaster's territory if the EBU Permanent Services receive a request direct from such a third party or if the request covers more than one territory.
No commercial or non-commercial entity shall use the logo or other distinctive elements of the ESC or the Shows without the prior written permission of the EBU.
Specific Access Rules for non rightsholders are made available separately by the EBU in advance of the ESC and are made available on Eurovision.tv.
News access for non EVN members - Any broadcaster which does not hold any audiovisual media rights and which is not a Member participating in the Eurovision News Exchange shall be granted, upon request to the EBU, except where national law or regulation provides otherwise, a total of two minutes' news access from each of the three Shows (or, if requested, from any Dress Rehearsal), free of charge for use in regularly-scheduled general news bulletins broadcast within 24 hours of the Semi-Finals and the Final respectively.
News access for EVN member - Non-rights holder broadcasters which are EVN Members (i.e. an EBU Member participating in the Eurovision News Exchange) shall be granted on a free of charge basis a 3 minutes access to be used strictly in the news context in general current affairs bulletins broadcast within 48 hours of the Semi-Finals and the Final respectively.
Accredited Media - All accredited media (press and fans) shall be free to use any material filmed by them during the press conferences, open rehearsals and certain of the rehearsals in accordance with the specific ESC Access Rules.
These Rules are drafted in English and French. In the event of any inconsistencies between the two versions, the English version shall prevail.